Re-amping through the GT-1000CORE has revolutionized my process. Yes, the GT-1000CORE's physical push-dials and minimal display are smartly laid out, but the interface allows us to quickly visualize the entire re-amping signal chain, set up virtual cabs and mics, fine-tune separate monitor outs, and tweak USB audio settings without having to deep-dive into submenus.
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Although you don’t absolutely need it, I would also recommend installing the free Boss Tone Studio desktop app (PC & Mac). You can also run existing dry guitar tracks (say from working with an amp plug-in) as your source. When used as a USB interface, the basic premise is that you can record a dry signal alongside your fully modeled sound, which can then be re-routed and re-amped. I suspect that's why in a pushed amp model, that slight, but ultimately ear-fatiguing "graininess" heard in lesser boxes has been eliminated.įor those not familiar with re-amping, Roland has a short tutorial that's easily adaptable to your specific software. For digital doubters like me, its specs, including 32-bit floating-point processing with a 96 kHz sampling rate, are a significant improvement over its predecessors. However, for this review, I'll focus on the more streamlined direct USB-to-computer setup for re-amping the signals for recording and production purposes.įirst off, the GT-1000CORE packs next-gen processing power (the same as its big sibling, the GT1000) in a tiny footprint. Connecting it via your modern guitar amp's effect send/return by using the 4 (or 7) cable method is a handy option. The Boss GT-1000CORE is mainly marketed as a new cornerstone for a guitarist's effects pedalboard, but its compact form-factor and advanced functionality make it an exceptional desktop recording and production interface.
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